2017/06/28

Gene Ammons - A Stranger In Town (1954-70)


Genre: Jazz | Total Time: 1:07:44 | Size: 154.74 MB | MP3 320 kbps
 
Tracklist:
01. The Song Is You
02. Light'n Up
03. Short Stop
04. They Say You're Laughing At Me
05. Salome's Tune
06. Blue Coolade
07. A Stranger In Town
08. Scam
09. Count Your Blessings
10. Cara Mia
11. Night Lights
12. Calypso Blues
13. Nature Boy

Alto Saxophone – Oliver Nelson;Baritone Saxophone – Gene Easton, Robert Ashton; Bass – George Duvivier, Wendell Marshall; Congas – Henry Pucho Brown, Ray Barretto; Drums – Billy English, Ed Thigpen, George Brown, Rudy Collins, Walter Perkins; Piano – John Houston, Mal Waldron, Patti Brown, Richard Wyands, Wynton Kelly; Tenor Saxophone – Gene Ammons, George Barrow, Red Holloway; Trombone – Henderson Chambers; Trumpet – Clark Terry, Hobart Dotson, Nate Woodward.

Recording Date November 26, 1954 - February 2, 1970
 
More so than other independent jazz labels such as Blue Note and Riverside, the powers to be at Prestige seemed to take great liberties in producing albums that would often contain cuts from multiple sessions, a discographical nightmare at its most basic. But even more troubling, this often made for a lack of coherence that could be disconcerting at times. What then made all of this worse was that the practice was often used with some of the label’s most important and visible artists.

The forgoing will hopefully put into perspective the circumstances surrounding the strange mélange that makes up the Gene Ammons compilation A Stranger In Town. Taken from no less than five recording sessions that span from 1954 to 1970, the 13 tracks assembled here originally appeared on the albums Velvet Soul, Sock!, and Night Lights. That’s the easy part; and then it gets confusing as you try to keep up with the rotating cast of characters on hand. A boisterous “The Song Is You” gets us started with some great small group charts provided by Oliver Nelson, only to give way to a spate of quartet performances that while solid are not particularly all that revelatory. The closing three tracks, particularly a tasty “Calypso Blues,” are the cream of the crop as Ammons' blustery attack gets bluesy support from the ubiquitous Wynton Kelly.
 

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