2017/02/24

Patti Bown - Plays Big Piano! (1959)


Genre: Jazz | Total Time: 37:16 | Size: 85.69 MB | MP3 320 kbps
 
Tracklist:
Side 1
1. Nothin' But The Truth
Written-By – Patti Bown
2. It Might As Well Be Spring
Written-By – Hammerstein II - Rodgers
3. Waltz De Funk
Written-By – Patti Bown
4. I'm Gonna Wash That Man Right Outa My Hair
Written-By – Hammerstein II - Rodgers
5. Head Shakin'
Written-By – Patti Bown

Side 2
1. G'won Train
Written-By – Patti Bown
2. Sunshine Cake
Written-By – J. Burke - J. Van Heusen
3. Give Me The Simple Live
Written-By – H. Ruby, R. Bloom
4. I Didn't Always Know What Time It Was
Written-By – Hart - Rodgers
5. Always True To You In My Fashion
Written-By – Cole Porter

Recorded in New York City, September 27 & October 8 & 27, 1959.

Bass – Joe Benjamin
Drums – Ed Shaughnessy
Piano – Patti Bown
 
Patti Bown (July 26, 1931, Seattle, Washington – March 21, 2008, Media, Pennsylvania) was an American jazz pianist, composer, and singer.

In the late Fifties, musicians returning to New York from Seattle, Washington, brought back stories about a young pianist with a sound all her owna swinging performer who impressed every traveling band to hit town; undoubtedly someone to watch out for.

One of the most vocal and enthusiastic heralds of this new talent was the celebrated arranger Quincy Jones, also from Seattle. It was he who, given the opportunity of assembling his own band for the Harold Arlen Show, Free and Easy, finally brought her to New York late in 1959 to work as pianist with his band during their European tour.

But it was a discerning record industry man, George Painkin, who brought an acetate test record of her playing to Columbia. The impact was powerful, convincing and immediate. She was signed there and then and Plays Big Piano, is the magnificent resulting album. It confirmed what musicians said about her. She had what jazz players call time. The beat is always there, not vaguely implied; its explicitly heard and felt on every track of this album, including the ballads, and especially in the four Bown original blues and gospel-based compositions. Quincy Joness judgement is thoroughly vindicated on every track.
 

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